Metawelle Wed, 28 Sep 2022 20:33:36 +0000 en-US hourly 1 Metawelle 32 32 GadCapital Online Payday Loans in Iowa: How Do It Work? Wed, 28 Sep 2022 20:33:36 +0000 What Is a Payday Loan in Iowa?

A cash advance is a short-term loan that often has a very low-interest rate. You are possible to acquire a tiny sum of money in advance of the arrival of your upcoming paycheck as a result of this opportunity. Both the lender and the borrower have settled on a particular date for the repayment of the loan, as well as any interest that may be accrued on it (typically when you receive your next paycheck).

This type of loan is intended for use by those who are in need of fast cash to pay debts before they are due to get their next salary. When applying for an unsecured loan, you won’t need to provide any collateral. You also do not need to be concerned about your credit score while applying for payday loans Iowa because the state does not have credit requirements.

How do Iowa payday loans work?

Payday loans are a type of short-term cash advance that have payback periods that typically vary from 14 to 31 days, or until the borrower receives their next wage, whichever comes first. Payday loans are characterized as short-term cash advances. Because your credit score is not a factor in determining whether or not you are approved for this type of loan, the majority of lenders like Arkansas lenders will want you to merely provide proof that you have a stable income.

In the state of Iowa, the most money you can get is $500. In contrast to loans that are paid back on a monthly basis, this money is expected to be repaid in its entirety and in its entirety on the day that has been indicated. When compared to other kinds of cash loans, being approved for a payday loan in Iowa is typically much simpler than the approval process for other kinds of cash loans. However, the interest rate is typically quite high for this product. The particular terms of the loan can be different depending on where the money comes from.

Are Payday Loans Allowed in Iowa?

Both Illinois and Iowa allow residents to legally get payday loans. The Delayed Deposit Services Licensing Act is the law that dictates how payday lending companies must conduct their business. In order to protect borrowers, the state of Iowa requires all lenders operating in the state to obtain a license and follow the regulations it has enacted for the provision of this particular type of loan.

In several states inside the United States, payday lenders like GAD – Missouri are permitted to lawfully conduct business. They are restricted in the amount of money that they can lend to each borrower as well as the number of times that they can lend money. In some regions, borrowers are limited to applying for and receiving only one payday loan at a time.

Arizona is one of only a handful of states that has implemented restrictions on payday lending. The act of lending money at exorbitantly high-interest rates, also known as “usury,” was made illegal in Arizona after voters in 2010 approved Proposition 200, which amended the state constitution to make such lending illegal. As a direct consequence of this, payday lenders in Arizona are only allowed to charge an annual interest rate of 36%.

In Iowa, how many payday loans is it possible to have?

You are only allowed to receive a maximum of two cash advances at the same time in the state of Iowa. However, taking out many loans at the same time is not something that we recommend. If you are unable to make the payments on this type of loan, you put yourself in jeopardy of falling farther and further behind in your financial obligations because of the high-interest rate.

In Iowa, how much money can I borrow for a payday loan?

According to the regulations of the state, the most money that can be borrowed through a payday loan in Iowa is $500. The repayment schedule for the loan is set for 31 days. Because you are not able to make a request for an extension or rollover, you are required to make timely payments in order to avoid incurring late fees and penalties.

Can a person with bad credit get a payday loan in Iowa?

Since it is still possible to get a payday loan in Iowa even with bad credit, the answer is yes to this question. Due to the fact that having a poor credit history makes it difficult for many individuals to receive the necessary financing from a conventional bank, these individuals typically choose this alternative lending option. Payday loan companies in Iowa that do not conduct credit checks will offer you money regardless of the score on your credit report.

How much do online payday loans in Iowa cost in interest?

The maximum finance charge for a payday loan in the state of Iowa is $15 for loans up to $100, and the maximum finance charge is $10 for every additional $100 borrowed. The current annual percentage rate (APR) comes in at a whopping 337%.

How do Iowa payday loan repayments work?

On the day that the loan is due, you often have the option of giving the direct lender permission to automatically deduct the loan balance as well as the interest from your bank account. You have the option of paying back the loan in cash or by submitting a check with a future date to the company that provided you with the loan.

Dumbarton celebrates 150 years of footballing heritage with a special anniversary exhibition Wed, 28 Sep 2022 10:28:01 +0000

Posted on September 28, 2022

A new exhibition celebrating the 150th anniversary of Dumbarton Football Club will explore the town’s rich footballing heritage.

Showcasing a unique collection of memorabilia, images and anecdotes from everyone from fans to Hall of Famers, the exhibition will be on view at the Dumbarton Library Heritage Center from October 6 to December 17. Free entry.

Produced by West Dunbartonshire Council’s Arts & Heritage team in close partnership with the football club, among the many highlights are a winner’s medal from the 1891/92 League Championship winning team and the shirt worn by the legendary player/manager Murdo MacLeod on the day the Sons earned promotion from Division Two in 1995.

Councilor Martin Rooney, Head of Culture Committee at West Dunbartonshire Council, said: “For 150 years the Sons of The Rock have been an integral part of the Dumbarton community.

“This fascinating exhibition draws on the voices and memories of fans and players to provide a unique local testimony to the club’s history and capture the passion of their lifelong dedication to their team.”

Deputy organizer June McKay added: “The fact that the current team is doing so well at the moment, flying high at the top of League Two, only makes the timing of this exhibition more exciting.

“Any Dumbarton supporter would testify that this is a love story filled with ups and downs, but I hope this landmark year can inspire players to create their own place in history with a famous success. to the league championship.”

Jim McAllister, on behalf of Dumbarton FC, said: “The club is delighted that West Dunbartonshire Council has given the opportunity to showcase our proud history and the club’s achievements in this special year. We hope the exhibition will be well received locally and beyond.

For more information on the exhibition visit

States provide limited information about police misconduct to the public Tue, 27 Sep 2022 20:23:01 +0000

Standards and training for Utah peace officers are part of the state’s Department of Public Safety. A new law requires Utah Police Departments to work with the agency when conducting external investigations. (Photo by Donovan England/News21)

SALT LAKE CITY – Providing public information about police misconduct records can be a complicated process.

There is no federal misconduct database, nor do most states have a comprehensive one. Additionally, experts say a tension surrounds police records as public records, and protecting officers’ right to privacy is an issue.

A 2020 report from Data for Progress and the Justice Collaborative Institute highlighted the results of a national poll that found that of 1,388 likely voters surveyed, 66% supported “making all police officers’ disciplinary files”.

But accomplishing that is complicated, said Kevin Goldberg, an expert with the nonpartisan Freedom Forum, which champions the five freedoms listed in the First Amendment.

Once the words “police” and “misconduct” are attached to a record, Goldberg said, law enforcement officials often claim those records are protected. Union and officer bills of rights have fiercely protected officers’ right to privacy.

“This reaction of ‘We can’t give it away’ is very disturbing,” he said.

Goldberg said such resistance has created piecemeal approaches to providing public access to officer records.

Some states provide what are called “integrity bulletins,” which contain information about officer complaints and the results of investigations, but generally do not include identifying information, such as the name of the officer. ‘agent.

While this anonymized data isn’t as transparent as many activists demand, some experts said its release balances officers’ concerns about privacy with the public’s call for transparency.

At least 12 states, including Florida, Oregon and Colorado, publish integrity bulletins, according to the International Association of Directors of Law Enforcement Standards and Training.

Several states have law enforcement standards and training agencies or councils—commonly referred to as POSTs—that provide standards for that state’s law enforcement officers and oversee the training, licensing, certification and decertification.

In Utah, State Senator Jani Iwamoto, a Democrat, sponsored a bill earlier this year to require every law enforcement agency in the state to adopt misconduct policies. It also requires police departments and their internal affairs departments to provide information and participate in interviews when the state’s peace officer standards and training agency conducts an external investigation of potential misconduct.

Utah’s bill passed unanimously in March 2022 and was signed by the governor later that month.

POST’s involvement in investigating officer misconduct adds an external layer of oversight to police departments’ internal affairs organizations.

Capt. Alex Garcia, deputy director of Utah POST, said the agency has four investigators who review all conduct complaints in the state, among other duties. Investigators review documents that police departments must report to POST and gather additional facts through interviews.

In early July, Garcia said the investigations department had 73 open cases, which is “above what we had this time last year.” He said the agency wanted to add at least one additional investigator to better manage the workload.

Capt. Alex Garcia, Deputy Director of Utah Peace Officer Standards and Training, explains how the state’s “Integrity Bulletin” works in Salt Lake City, Utah, July 7, 2022. ( Photo by Donovan England/News21)

Garcia said investigators pass information to an advisory board made up of former police officers, community members and others, such as academic or medical experts. This council examines the facts and determines whether the agent should be sanctioned.

The board meets four times a year to hear disciplinary cases, Garcia said, and the agency plans to release videos and audio recordings of board meetings for the public to review.

“That way someone can go back and listen to exactly what was said in each case and see the sanction given to the officer,” he said.

“That kind of knowledge is essential, isn’t it? If you can provide information to the public in advance, it helps foster that relationship. We want to be an open book.

Utah will list its integrity bulletins through its POST division. In Arizona, the POST agency publishes quarterly integrity bulletins that provide scenarios of police conduct and the penalties imposed. It does not provide names of officers, but rather refers to individuals as “Sergeant A” or “Officer B”.

In Vermont, the state Criminal Justice Board goes one step further and provides a searchable database of decertified law enforcement officers — and it includes the officers’ names.

Goldberg said providing details of police misconduct is a starting point and people can still make connections even if they can’t identify an officer by name.

“Let’s say I’m looking for all the complaints that happen in a particular neighborhood in Phoenix,” he said. “And there’s a way to link them to a particular officer, even if I don’t know who that officer is, that might be helpful.”

Brooke Newman and Donovan England are Inasmuch Foundation Fellows. Check back on October 3, when we begin publishing News21’s main ‘In Pursuit’ project.

Great Minds Think Data podcast releases new episode with Democratic Party veteran and national security thought leader John Rendon, who shares revelations about Russia, Ukraine and 2024 Tue, 27 Sep 2022 14:33:00 +0000

In a new episode of the “Great Minds Think Data” podcast, Rendon today equates Europeafter Russia invasion of Ukrainewith the continent on the eve of World War II – “We are in 1937 for Europe and… the rest of the world”

Rendon also advises political party leaders to “step aside” and allow younger members of their respective parties to take on leadership roles and national recognition before 2024.

SAN FRANCISCO, September 27, 2022 /PRNewswire/ — In a new “Great minds think about data“podcast episode, hosted by Premise CEO Maury BlackmanBlackman spoke with John Rendon, one of the world’s leading voices in international and military affairs. Rendon began his career in Democratic Party politics with by George McGovern presidential campaign in 1972. He later served as executive director as well as political director of the Democratic National Committee, managing President Carter’s 1980 Democratic National Convention.

A pioneer in the use of strategic communications as an element of national power and one of the first thought leaders to harness the power of emerging technologies in support of real-time information management, Rendon served as an executive consultant in communications to the White House, the U.S. Department of Defense, various members of the national security community, and countless Fortune 500 corporate executives.

In the latest episode of “Great Minds Think Data”, Rendon broke down Russia invasion of Ukraineits impact on the European community and the growing link between Russia and China with Blackman. The pair also discussed the upcoming midterm elections and theoretical matchups for the 2024 presidential election, including how Wyoming Congressman by Liz Cheney entering the race would increase the likelihood of another Trump presidency, as evidenced by a recent On-site survey.

On the international front, Rendon warned of potential nuclear war on the horizon. When asked about Russia invasion of UkraineRendon asserted, “[Russian President Vladimir] Putin is not going to stop. It’s 1937 for Europe and…the rest of the world.” He also declared Putin a “clever narcissist” who would rather “destroy the game” than lose it.

On the home front, Rendon had harsh words for party leaders in Washington too. “[I]It’s time for the bench to thin out and for us to have new people on the bench,” he told Blackman, “Some of the people in the leadership haven’t moved away from the younger members…so [for] enable them to access management positions. It’s a real problem.”

Finally, when it comes to potential dark horses in the upcoming 2024 presidential election, Rendon tells listeners not to overlook moderate Southern governors, recounting his time working with then-Arkansas Governor bill clinton so what-Georgia Governor Jimmy Carter. “Look at the state of North Carolinalook at the state of Kentucky“, he insisted, “I think governors make better candidates than senators because they have to spend all day in a state capitol talking to… people, real people, and , when you are in United States Senate, you spend all day talking to a camera.”

Episodes of “Great Minds Think Data” can be found at Spotify, Apple podcast, embroidererand Art19.

About the premise

Premise is an on-demand information company. Its technology mobilizes communities of global smartphone users to obtain actionable data in real time, in a cost-effective manner and with the necessary visibility. In over 135 countries and 37 languages, Premise finds data for every decision™. To learn more, please visit

Contact: Taylor C. Pearson


View original content: – leader-john-rendon-who-shares-revelations-about-russia-ukraine-and-2024-301634397.html

THE SOURCE Maury BlackmanCEO of Premise Inc.

Saraband Kenwood House Free Concerts, Hampstead, 2022 Mon, 26 Sep 2022 17:48:00 +0000

6:48 PM September 26, 2022

An early music ensemble performs free concerts at Kenwood House inspired by the famous paintings on the walls.

Saraband kicks off three Sunday afternoons in the mansion’s music room on October 2 with Vermeer’s The Guitar Player. Visitors can see the Old Master with the sound of a 17th century guitar – like the one in the painting – ringing in their ears. Johan Löfving plays English, Italian, Dutch and French music of the period, as well as tunes Vermeer might have heard growing up at the Flying Fox Tavern.

by Vermeer on loan from Kenwood House
– Credit: Archant

The following week features music from court, tavern and theater – including works by Purcell and Locke – based on a portrait of Charles II.

Painted Ladies is inspired by 18th century portraits in the Music Room, with music for and about actresses, courtesans and milkmaids. They include John Hoppner’s portrait of Dora Jordan, William IV’s mistress, and George Romney’s portraits of opera singer Mrs. Crouch and Nelson’s mistress, Emma Hart.

Hampstead violinist Sarah Bealby-Wright will present the music with stories about paintings, personalities and the period.

“We like to play music with a special nod to the place, and at Kenwood our programs are inspired by the artwork and stories of past residents,” she said.

“It’s mostly music, but we try to bring all the personalities into these incredible portrayals and how the tunes connect to real people. We found a piece by Dora Jordan, who played lute and guitar on stage, and one written for star singer Mrs. Crouch.”

The New End alumnus, who lives on Parliament Hill, said the Music Room was where the hostess received guests in the 18th century.

“I visited Kenwood and there were all these instruments; a harp, a piano and music stands. It seemed so sad to have a nice music room without music, so I found someone who wanted to have some chamber concerts. They make Kenwood feel like a real home in a way.”

Inside the Kenwood House

Inside the Kenwood House
– Credit: Archant

Saraband play two longer evening gigs upstairs at Holly Bush, Hampstead on 12 and 19 October.

It will be transformed into a “House of Music” with music by Purcell, Locke, Corelli, Handel and the Beggar’s Opera, as well as lyrics by contemporary writers.

Bealby-Wright says: “Before 1675 music was played in people’s homes. In the 18th century the first public concerts were held in the upstairs hall of a tavern. We found our own perfect tavern hall which was formerly George Romney’s studio, which combines brilliantly with our concerts at Kenwood.”

The Holly Bush Pub, Hampstead

The Holly Bush Pub, Hampstead
– Credit: Archant

The ticketless Kenwood concerts are at 1:30 p.m. and 2:30 p.m. on October 2, 9 and 16 and are funded by the Continuo Foundation which supports early music ensembles. Visit Holly Bush Concert Tickets

On the move: Latest sector appointments Sun, 25 Sep 2022 22:31:31 +0000

Melbourne Fringe welcomes new staff

Melbourne Fringe has announced three new appointments to its core staff. Joining the organization: Peta Duncan (Program Coordinator, Deadly Fringe); Ebony Addinsall (Head of Marketing) and Toby Sullivan (General Manager).

Peta Duncan is the Program Coordinator for Deadly Fringe, the Melbourne Fringe First Nations program. She is a proud Meriam woman from the Piadram clan of Mer Island in the Torres Strait with a background in advocacy and project support. She is thrilled to be able to combine her love for the creative industry with her passion for supporting and uplifting the First Nations arts community.

Ebony Addinsall is an influential marketing executive with over 10 years of experience in the Australian creative industries. Addinsall has led marketing campaigns for some of Melbourne’s leading arts organizations through his tenures at Millmaine, Melbourne Theater Company and more recently Creative Partnerships Australia and brings extensive experience in audience development, marketing strategy and advocating for private sector support for the arts.

Toby Sullivan is a seasoned producer and manager with decades of festival experience in Melbourne, Sydney and overseas. A veteran of the comedy scene, Sullivan has delivered an extraordinary number of shows at the Melbourne International Comedy Festival, brought First Nations comedy to the fore through the Aboriginal Comedy Festival and brought top international artists to Australia as part of the Spice Night Tour. He has produced shows for the Sydney Festival, the Adelaide Festival Center and the Melbourne Theater Company. He takes over this role with current Managing Director Will Dawson who assumes responsibilities for partnerships and development in his capacity as Deputy Managing Director.

Creative Director and CEO Simon Abrahams said the organisation’s new team appointments reflect Melbourne Fringe’s dedication to ensuring a bold and ambitious independent arts sector. “Toby, Ebony and Peta are brilliant additions to the Melbourne Fringe team, bringing skill, energy and experience as we enter our 40th anniversary festival.”

New Managing Director for Experimenta

Experimenta announced the recent appointment of Kim de Kretser as Managing Director of the Melbourne-based organization.

De Kretser is a creative director, producer, curator, nature wanderer and artist who specializes in connecting people through art, conversations, public events, technology and nature. She is passionate about working with multidisciplinary teams to produce experiences that illuminate creative possibilities, spark conversation, expand thinking, inspire action, and promote positive social movements.

Her most recent roles include Artistic Director of Immerse 2021 – Greater Melbourne’s largest public art festival, development of the arts platform threeOclock Gallery (2016) and Arts for a Cause (2005-2010), and foundation and management of his company Peak Events (2000-2012).

De Kretzer holds an MA in Art (Art in Public Space) from RMIT University and is an Associate Fellow of RMIT Contemporary Art and Social Transformation and the AEGIS RMIT Research Network for Art. and the environment. His research projects include Fielding (2018) and empire of dirt (2017) for RMIT University and partners. She is also an artist in residence at Linden New Art.

Experimenta’s Chairman of the Board, John Merakovsky, said, “Kim’s depth and breadth of experience encompasses all aspects of end-to-end creative management. She is uniquely positioned to lead Experimenta in delivering ambitious, bold and complex projects that redefine what art can be.

Tilt appoints new curator

Based in New South Wales Tilt Industrial Design has strengthened its investment in Melbourne’s public art sector with the appointment of a new Melbourne-based curator and design manager, Laura Clauscen.

The appointment sees Tilt expand its reach into Victoria and its investment in the public arts sector.

With nine years of experience as a creative consultant in the applied and public arts sectors, including more than four years at Broached Commissions as managing director and design director, Clauscen’s end-to-end experience working with commercial and culturally significant applied arts collections, public art commissions and exhibitions – along with strategic design direction – will allow Tilt to diversify its offering into architecture, landscape architecture and public art.

Laura Clauscen joins Tilt. Photo: Supplied

Clauscen’s education both at home and abroad, encompassing media and communications at RMIT University and design studies at Hong Kong Polytechnic University, has allowed him to develop an understanding and acute appreciation of visual and material culture and design in relation to history and environment.

“My interest in materials and atmospheres is linked to a deep curiosity for how humans interact with objects, architecture and urban spaces and how these elements are used to express historical, social and environmental themes”, Clauscen said.

“Public art provides an opportunity to communicate social values ​​and ask questions about how we use civic space, through storytelling. I look forward to working with such a renowned studio as Tilt.

Clauscen’s new appointment will see her on the pitch in Melbourne, driving business forward

development prospects for Tilt by offering creative and strategic advice for public art projects in the state from start to finish.

Projects delivered by Tilt Industrial Design include installations with Vivid Sydney (Endless

Love, Gravitational Grid, Earth Deities) as well as Sea Mirror at One Central Park and Musical Spheres at Angel Place. Tilt is currently working on a public art sculpture in Melbourne named Lane Change for Brimbank Aquatic and Wellness Centre, alongside architects Office Feuerman.

McClelland Announces New Board Member

Associate Professor Michael-Shawn Fletcher joins the McClelland Sculpture Park + Gallery Board of Trustees. Dr Fletcher is Director of Research Capacity at the Indigenous Knowledge Institute and Associate Dean (Indigenous) of the Faculty of Science at the University of Melbourne.

A descendant of the Wiradjuri and a geographer, Dr. Fletcher is interested in long-term human-environment interactions. His research group focuses on understanding the evolution of landscapes over time using microfossils stored in sediments.

McClelland Chairman of the Board, the Honorable Simon Crean, says Dr Fletcher brings to McClelland a high level of expertise and understanding of some of the key issues facing traditional cultural organizations in Australia today .

“Michael’s recent research places particular emphasis on how Indigenous burning has shaped the Australian landscape and how Indigenous knowledge needs to be meaningfully integrated into landscape management to address many of the environmental challenges we face. are facing today.

“As Australia’s premier gallery showcasing art and sculpture with nature, McClelland is strongly committed to raising awareness and celebrating the culture and wisdom of First Nations people through our public programming. We we are confident that Michael will play an important role in helping McClelland achieve continued success.

Dr. Fletcher joins current board members, the Hon. Simon Crean; Matt Healy LLB/BA, MAICD; The Honorable Stephen Charles AO QC; Jon Clements; Lisa Roet; John Young Zerunge AM; Shireen Jahan; Dr. Rory Hyde; Dr. Gillian Kay; Ian Davis OAM; Michael Wise QC.

Director appointed for new CDU Academy of Arts

Dr Amanda Morris has been appointed Director of the new Academy of the Arts at Charles Darwin University (CDU), to shape the direction of the academy and energize creative education in the Northern Territory.

Dr Amanda Morris, Director, CDU Academy of the Arts. Photo: Supplied

Morris brings considerable experience in the arts and education sectors, including 17 years at the National Institute of Dramatic Art (NIDA), most recently as Executive Director of the Conservatory.

At NIDA, she was also instrumental in the creation of VET courses and in the development of the NIDA Open Program, a program of short courses in the performing arts, which attracted up to 15,000 people per year. year across Australia.

The CDU Academy of the Arts will seek to energize creative education in the Northern Territory by offering a range of educational programs in the visual, film and performing arts.

A dynamic artistic and cultural center will be developed with students able to collaborate with each other, arts practitioners and teachers in exhibitions, screenings, performances and festivals.

Morris said she looked forward to working with CDU staff and students as well as the wider Northern Territory arts community to develop the Academy.

“The CDU has the opportunity to create a unique arts academy, which emphasizes contemporary Australian arts across all disciplines and which draws on and celebrates First Nations artistic practices,” said Dr Morris.

“An important part of my role will be to help shape the CDU Academy of the Arts so that art lovers throughout the territory can study the visual and performing arts without feeling like they have to leave the territory. “

“I will seek ideas from a range of stakeholders, including CDU staff, students, alumni and the wider NT arts community, to ensure the Academy provides a collaborative and creative environment. allowing our students to develop their skills.

“I plan to draw on relationships in the arts across Australia and around the world to collaborate with us and build partnerships to support our students so that young emerging artists can graduate with the skills and confidence to make their own career rewarding,” she says Morris.

More sector meetings

Hit BBC podcast hosts happily join Times Radio Sat, 24 Sep 2022 19:54:00 +0000

BBC journalists Jane Garvey and Fi Glover join Times Radio to present an afternoon news programme.

he previously hosted the hit BBC podcast Happily Together.

However, they will now co-host a live news program between 3pm and 5pm Monday through Thursday on Times Radio.

Garvey began her career on BBC Radio 5 Live, before moving to Woman’s Hour on BBC Radio 4, which she hosted from 2007 to 2020.

Glover also started her career at BBC Radio 5 Live, before moving to Radio 4, where she appeared on The Listening Project, Saturday Live and Broadcasting House.

Their Happily podcast was in the BBC’s top three most downloaded podcasts of 2021, reaching over 30 million total downloads.

Garvey said she was “thrilled” to join Times Radio.

“I had an amazing time working for the BBC,” she said.

“Now I’m thrilled to join the award-winning team at Times Radio. We can’t wait to begin a live mix of enlightening conversations, topical interviews and the occasional scolding.

Glover added that she had had an “incredible” 29 years with the BBC.

“It’s been an incredible 29 years with the BBC,” she said.

“But I’m so looking forward to bringing Times Radio listeners extraordinary stories of extraordinary people with Jane.”

B-Roll, Video, Audio, Photos and Quick Transcript: Governor Hochul Delivers Remarks at African American Veterans Monument and Unveiling Sat, 24 Sep 2022 18:17:45 +0000

Earlier in the day, Governor Kathy Hochul delivered remarks at the African-American Veterans Monument and its dedication.

B-ROLL of the event is available on YouTube here and in TV quality (h.264, mp4) here.

VIDEO of the event is available on YouTube here and in TV quality (h.264, mp4) here.

SOUND of the event is available here.

PICTURES of the event will be available on the Governor’s Flickr page.

A quick transcript of the Governor’s remarks is available below:

I’m so honored to be here because it’s been a long journey for some of my friends, people who have had the vision to say there’s been tremendous neglect in our nation’s history and to recognize the contributions of so many who have sacrificed their lives and were willing to sacrifice their lives over the past 400 years.

I want to give special thanks to New York State Majority Leader Crystal Peoples-Stokes, who fought for this here at the state level, at the national level. She was tenacious. And I’m so proud today to see the culmination of her fighting spirit because she never took no for an answer. Also, our local elected officials – I can’t name them all, but it’s our Mayor Byron Brown’s birthday. And I have to say happy birthday to our mayor. And Senator Kennedy, as well as Brian Higgins, our great congressman – so many people have been here a long time. And to Brenda the others, and I’m not here to announce books – just, you know, our county legislature. No, I’m not going.

But this is the dedication, the unveiling of not only Buffalo’s first monument, not only New York’s first, but our country’s first African-American veteran monument. And in February, I directed my members to the 400th anniversary commission, the honor 400 years of African-American history, 400 years. And you look back over 400 years and I had Dr. Hazel Dukes, who is a dear friend, the head of the NAACP. And I’ve also asked Dr. Henry Taylor from Buffalo to be part of this creation of a story, a story that’s long overdue, but a very special part of this has to be the story through the history of the contributions African Americans at war. and veterans after. And I’m here today in my hometown so I can see the beginning of righting wrongs. And that is personal to me. I literally, when I’m in town, it’s not as often as I like to be, but I cycle past this site. I’ve been watching it since that rainy day when we had shovels in the ground. Anyone remember that day? It’s much better. I said, “We have to do better than that, the team.” And you did.

I ride my bike and watched the cranes and the digging and the work and the people working so hard to build something that I don’t want to be just for Buffalo people. I want it to be for our nation, and people around the world, to say, “We may be a little behind here, but at least we’re getting there today.” And we go way back with this story. There are books written, books we read, but the whole thing – the Boston massacre, the very beginning of our fight for freedom. The very first victim was a man named Crispus Attucks. And he died, the first to die in our fight for freedom. And it’s not lost on me, what it is for him and the 5,000 people who followed African Americans into this war itself – our very first conflict for freedom, which they were fighting for. the freedom of an entire nation at a time when they had no freedom themselves. Throughout history, this has been the case. You’re talking about the Harlem Hellfighters. We told them to go over there and you’re going to be able to fight, and you’re going to be on the front line. They were told to empty the supply ships when they arrived in Europe. But when they are finally needed, they are responsible for destroying German battalions, and they finally got the recognition they deserve.

And I will end by saying that one of the greatest honors of my life was meeting four of Tuskegee’s original Airmen. They came to our state capital. I was able to present them with medals and hear their stories which were immortalized in a film. Honor them. They are the real heroes because they could neither eat nor sleep nor be removed like the dignity of other men because of the color of their skin. And yet they persevered. They said, “I will rise in the air and strike down our enemy.” I’m not afraid of anything. And finally, today we come to present for history, for immortality, those stories that have been lost until this very year. So, I’m proud to be here, proud to be governor of a state that recognizes it, and proud of my local friends and community contributions, and those who fought are in danger today. God keeps them safe. Those of those who sacrificed, lost their lives and those who are part of the veteran community today. Thanks a lot. And God bless America.

A true crime podcast helped free Adnan Syed but the killer has yet to be caught | Bidisha Mamata Sat, 24 Sep 2022 15:00:00 +0000

In 2014, an audio series kicked off the podcast revolution and reinvigorated true crime documentaries. Serial was an American audio series created by Julie Snyder, Ira Glass and Sarah Koenig. It examined the 1999 murder of an American teenager, Hae Min Lee, and the conviction and imprisonment of her ex-boyfriend, Adnan Syed.

thanks to questions Serial raised about this murder investigation and trial, Syed had his conviction overturned last week.

It’s good for him. I now think of Hae Min Lee, the murdered woman. I care that speculative “empathy” seems to trump any desire for justice for murdered women and girls. Snyder, Glass, and Koenig are not prosecutors, murder detectives, forensics experts, criminal profilers, or perpetrator tactics specialists. They made a name for themselves in the media, unearthing the hideous trauma suffered by Hae Min Lee and her family. What a nightmare it must be for his family and friends; an endless, unresolved and obscene perpetuation of their horror as this woman’s murder is turned into entertainment industry content.

Snyder, Glass and Koenig can be said to be professionals dedicated to justice and truth, in which case I look forward to the next set of Serial. The one where they tirelessly search for the man who murdered Hae Min Lee.

Last rites and wrongs

King Charles III at the burial service for Queen Elizabeth II at St George’s Chapel at Windsor Castle on September 19. Photograph: Reuters

It was a strange week, drifting into autumn after the Queen’s death and funeral. I covered the full 10 days for US TV, broadcasting all night from outside Buckingham Palace. The heightened emotion, pageantry and flower-strewn streets contrasted with our 4 a.m. hack world of Portakabins, mud and the Hollywood spectacle of journalists from around the world lined up under bright lights, speaking directly to the camera from the end of an era.

Carrie Johnson, who was in Carrie-Bradshaw-as-Anne-Boleyn fashion at Westminster, in her military-style Karen Millen coat dress and Jackie Kennedy pillbox hat. It looked awesome, though the cosplay as a horny king’s doomed Tudor mistress and a horny American president’s neglected wife is really quite painfully relevant.

I also have sympathy for the presenters of Australia’s Channel 9, who said Prime Minister Liz Truss was “hard to identify…perhaps an underage royal?” Truss has failed to distinguish himself so much that I accidentally call him Lynn Truss. She has the permanent vibe of a hapless office puppet who broke into a breakout space looking for a whiteboard pen on a day away from the company.

Nonetheless, Monday served up a glorious spectacle, with its brilliantly choreographed take on Windsor accompanied by music from Darth Vader. The bit that got me was the removal of the orb, crown and scepter from the coffin, which slowly sank into the family vault. Prince Charles looked like a 1,000-year-old elephant as he alternated between turning gray with fatigue and pink with sadness. As we enter darker and darker times, his grumpy emotivity fits in perfectly, alas.

All at sea

See Monster, a disused offshore platform in the North Sea, has been transformed into one of the UK's largest public art installations.
See Monster: A disused North Sea offshore platform has been transformed into one of the UK’s largest public art installations. Photograph: Ben Birchall/PA

Those seeking newness amidst the sadness of everything could explore the Unboxed 2022 project. It includes several public art commissions celebrating British creativity, the latest of which is called See Monster. Yes, this is a very hilarious game of sea monster words. See Monster is a decorated and disused North Sea oil rig in Weston-super-Mare. There is a waterfall and a planted garden. It totally mirrors Brexit Britain in that it looks like a gigantic rusty, algae-contaminated toilet cistern spouting bog water onto the people above.

Bidisha Mamata is an Observer columnist

]]> States hand over recordings of Indigenous oral histories to tribal control Fri, 23 Sep 2022 21:58:30 +0000

There are over 600 oral history records housed where Lina Ortega is Associate Curator of Western History Collections at the University of Oklahoma Libraries. Ortega speaks limited Seminole, one of the languages ​​heard on the recordings. But while reviewing a regular 1969 tribal government meeting, she kept hearing a name she knew.

The name was that of his grandfather, Thomas Coker, an elected tribal official who was active in Seminole Nation politics for more than 30 years. The recording captured the empowering historical moment when many tribes were drafting new constitutions after the Termination Era ended, roughly two decades when the US government ceased federal recognition of certain tribes.

“I couldn’t take it all in,” said Ortega, who is a Sac and Fox Nation citizen and has Seminole and Muscogee Creek heritage. “But I just heard his name come up quite often, and it was a joy.”

These are the treasures of the archives of the Doris Duke Indian Oral History Program, which from 1966 to 1972 paid anthropologists, historians and linguists at seven state universities to capture the histories and, in some cases, the languages ​​in decline, indigenous peoples around the world. United States.

The collection was supported by $200,000 grants to each school by tobacco heiress Doris Duke, whose friendship with actor Marlon Brando spurred her interest in collecting oral histories, according to the 1992 biography. of Duke, “The richest girl in the world”. Brando declined his 1973 Oscar for The Godfather in protest of the federal response to members of the American Indian Movement and other activists who occupied Wounded Knee, South Dakota, for 71 days.

Fifty years later, the Doris Duke Charitable Foundation is following up on its initial grants with a $1.6 million gift to digitize records stored at universities. This time, tribes will have much more control over access, which will be through a centralized digital content management system, Mukurtu, created by and for indigenous peoples.

Increased control may mean that certain documents will no longer be as easily accessible to the public as before. But it also means that the descendants of those recorded – some of whom may not have given consent for their stories, songs or interviews to be recorded – will decide which materials should be in the public domain.

This will help achieve the original goals as envisioned by Duke – to record Indigenous history from an Indigenous perspective and then release the materials to the tribes from which the recordings originated so they can decide how they should be used. . Many archivists anticipate that the records will continue to be a resource for cultural and linguistic revitalization efforts. Tribes can also add modern oral histories to their collections.

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Recordings and transcripts are popular items in any university archival collection, which has led to difficult conversations about access as tribes reassess what should be made public, said Jolene Manus, who is Diné/ Omaha/Tsalagi of the Navajo Nation, and the Curator of Native American Collections at the Center for Southwest Research at the University of New Mexico in Albuquerque.

Manus oversees 700 recordings in this collection, about half of which are from the Navajo people. The audio of the recordings is not available online in the collection, but transcriptions of the English recordings formerly were. Although Manus obtained permission from the tribes, she withdrew some transcriptions from circulation, especially those detailing ceremonial or cultural practices that were never intended to be shared beyond the tribe. Access decisions are for sovereign nations to make, she said, not for the university.

“I have a lot of respect for the songs and what they’re about,” she said. “Even coming into contact with certain types of songs can have an effect on an individual, especially if you don’t know what you’re listening to. You need an expert, more of an expert than me. These are the people who are the cultural experts, in their communities. They are the ones who know exactly who should have access to it, when they should have access to it, why they should have access to it or not.

With digitization, the possibilities for future use are nearly limitless, said Susan Feller, president of the Association of Tribal Archives, Libraries and Museums, an international nonprofit organization that oversees the new Duke grant.

“These records sat on a shelf and were not accessible, not even to tribes,” said Feller, who is Choctaw and based in Oklahoma. “People are hearing the voices of their ancestors for the first time. They learn new words in their language. So it helps them advance their tribal language programs because a lot of the recordings are in the original language. This helps them further develop their tribal stories.

Duke’s original program ended in 1972 with approximately 6,500 oral interviews from 150 indigenous cultures. Some state university systems were better able than others to use what they gathered. The 1971 book “To Be an Indian” emerged from oral interviews conducted by researchers with Duke Fellowships at the University of South Dakota and was used as a textbook in Native American studies courses.

In other places, however, recordings languished in boxes, on deteriorated tapes, sometimes without transcriptions. Other institutions that hold collections include the University of Arizona, University of Florida, University of Illinois, and University of Utah. The University of California, Los Angeles also received one of the first freshman grants from the Duke program.

Because the interviews were conducted in a pre-digital era by dozens of different people at multiple universities, the project never had a common index or bibliography. It was therefore difficult, until now, to assess the scale of a vast program that captured the lives of Indigenous peoples at a pivotal moment in American history.

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Duke had varied interests and knew the power of recorded personal histories, according to his biography as well as an account of his oral history project written by anthropologist Dianna Repp. During World War II, the heiress worked for US intelligence in Italy and Cairo, where she recorded conversations with wounded US soldiers to share with their families. Twenty years later, one of Duke’s wartime friends with connections at the University of Illinois explained to him how endangered Indigenous languages ​​and other cultural knowledge were at the death of ancient Native Americans. , wrote Repp. That may have been as big an influence on Duke’s initial gift as his friendship with Brando.

“Doris Duke passed away 30 years ago, but we still want to be intentional and respectful and honor her wishes and the things that mattered to her,” said Rumeli Banik, who oversees the Doris Duke Charitable program. Foundation.

Among the so-called Dukies who collected oral histories during the early years of the program was Susan Penfield, who in 1969 was a 22-year-old graduate student at the University of Arizona, dragging a tape recorder with her. coil. interviews. At the time, she was intrigued by capturing moribund native languages ​​and chose to do oral interviews with the Mojave who resided at the Colorado River Indian Tribes Reservation near Parker, Arizona.

Penfield thought it would be a relatively simple summer of fieldwork in anthropology, but it influenced his decision to become a linguist. She continued to work in the community for 50 years.

“You could see it shrinking,” Penfield said of the Mojave language. “When I first went there, you would hear people queuing at the market or the post office, everyone speaking Mojave. I took a grad student there in the 90s. He never heard the language spoken.

Ortega, the curator who heard her grandfather’s name mentioned in the tapes, said she continued to enjoy the variety of topics people talked about during their interviews in Oklahoma when the Duke program began. It’s just as charming to hear the accents of the time, which remind him of the way of speaking of his grandparents.

“It really reminds me of my grandparents, the way they spoke and even some of the terms they used that you don’t hear so much anymore,” she said. “So I always like to hear their voices just for that aspect. And I’ve had other people tell me that too.

This story was published by Stateline, an initiative of The Pew Charitable Trusts, on June 24, 2021. You can find the original article here.